ltd 2012 repress ... incl stunning joris voorn rmx!! new york city based dj/producer/remixer/ harry choo choo romero brings us his debut single release on ovum. harry has been on board for remix projects on the label, but it is finally time for him to unleash a monster single on the label. on the a side, harry brings us >phuture<, which is a main room monster. this has been josh winks secret weapon for sometime and now it is available to you. built around a computerized female vocal, harry shows why he is the master of a driving groove. this driving track should destroy any dance floor. on the b side we have enlisted label friend joris voorn for the remix. joris has taken an already big sounding track and added a turbo charger. the remix is a complete roller and joris has taken a dubbed out approach with it, but still keeping the main build vocal. two great tracks that should be rocking all the festivals and ibiza all summer as the 15 years of ovum celebration continues on

alden tyrell hooked up with mike dunn for some new work!. a golden combination which already worked out great as we learned from the heavy remix tyrell did for the murphy jax & mike dunn collaboration (its the music - cat# cjfd06). tyrell always jamming and playing around with his synths had some tracks inspired by early mike dunn songs. so the obvious happened ... the hooked up for some appropiate vocals and here it is ... touch the sky! a peak time acid monster with mikes vocal chant in the style of his classic md3 projects. gerd is on remix duty here and delivers a killer remix with a more traditional chicago groove and build up. clone head honcho serge had some studio time with tyrell for a dub mix. the serge & tyrell dub mix turned out a bit wild and became a classic piece of piano and dx bass driven chicago house music with stuttering vocal samples and a acidic synth line. another strong clone jack for daze!

ultraphat hypnotic techhouse monster, just listen!!

bokhari records is a vinyl only label. bokhari has been inspired by mo wax of old, and firecracker of present where care was/is also taken on packaging and design. each release will feature a different illustrator / artist for the design. musically we will aim to stick loosely within the realms of house and techno, but often with our own slant on it, and as the first release shows, in this case will include some afro percussion and a touch of acid. bokhari 001 only 300 copies will be pressed. artwork for release 001 is by the excellent illustrator andy potts (former head of design at abbey road studios), and every single vinyl will be signed and numbered. remix comes from the ever consistent mark e, who has taken the shrunken head bassline and made a 10 minute druggy, chuggy, loopy, creepy monster (and anything else you want with a ‘y’ at the end!)

uh oh! here we have last years ridiculously massive backwoods tracks remixed by esp institutes bad boys. the stallions (lovefingers and lee douglas) take dj kents hit cloud nine to the church of rave to meet a dirty belfast gospel that will turn your trout-pout upside down and leave your feet bleeding. just try to find a room big enough to hold this 12 minute monster! on the flip, cos/mes tropify the backwoods album opener awakening in a stylee that has become their signature, lush and loopy. this is a special collaboration between tokyos ene records and esp... dont slee

ltd 2012 repress ! the two buddies created a groovy neodisco electromonster called luna including the romboy - alike moog monster basss line and miranda which is consisting of a crazy-driving electro sequence with modulates you mad!!!! very mental stuff!! already played by tiga , john acquaviva ,laurent garnier, john tejada, chloé ,anja schneider, phonique , sharam jey , fafa monteco

brill groovin techhouse monster, vinyl only release

mit vocoder-stimme in >reborn< bringt den track irgendwo zwischen nu disco und deep house, der acid mix verwandelt den track in ein dunkles, hämmerndes acid house monster. guter einstand für enawadan

180 g vinyl!

were proud to present you our tenth release, the x ep! featuring tracks by some of our favourite artists, which already appeared on klangfarbe schallplatten as artist, remixer, dj and/or liveact in the klangfarbe klub events in cologne! on a1 youll find todd bodines love & hate, which sets with a dark mood and developes to a real monster. tandem follows with pubstone on a2 with a shakin groover, which lives and loves appregiated synthlines in a melodic kind of way. b1 is our man mri, who delivers a powerful techno-stomper called round & round, more than lightly detroit influenced synths and pads. b2 is done by daniel mehlhart. he constructed a harmonic song which answers to the name of happy digits, which is really nice and which completes this diversified ep with great tracks for approching summer! listen up!

keeping up their ethos of dancefloor >edits with the love left in< hmd bounce back on a1 with monster from their 3rd compilation. never before released as a 12 inch and much in demand from djs who have heard it in hmd sets, its a whole horse meat disco original track laid out underneath the original vocal acapella. playable peak time or at the end of the night its as deep as disco gets! on b1 a majestic and imperial take on a classic one more time the hmders push the way too short original track and lengthen it into a luscious, euphoric anthem. hmd take all responsibility for end of the night spontaneous dancefloor hug-ins. on b2 the boys have taken the squelchy synths of a real underground track and turned up the intensity that they felt seem to disapated in the original. keeping the vocals pretty much as they are including all the whoops and yelps that make the track so exciting hmd have stayed true to the original but have just given it the horse meat touch. a bit of added percusion and a whole lotta love.

after the successfully aras startup from the label owners andre galluzzi and dana ruh we are now presenting a hot follow-up from our friend, well known hessian johannes heil. the a side consciousness is a massive 12 minute dancefloor killer starting with a nice synth loop and some heavy kicks. after nearly a half the track turns from a warm hypnotic break into a real peaktime monster. b side track pure starts a little bit deeper with sounds that let us yearn for the sun. a very nice package for the summer.

vinyl only release and exclusive at decks.de !! early support from sven väth, mugwump, morpheus, mea kusma crew, peter van hoesen !! ultraphat apocalyptic / dark techno monster ep !!!

bringing his sound to a new boil, dbridge gives us the first serving of velvit with these two new monster tracks. following on as the second course of convex industries, dbridge is no stranger to the insatiable appetite of electronic music. showcasing his mastership with these solid tracks, defying tempo and genre, there is a taste for velvit lingering on everyones tongue.

from its tentantive beginnings, this monster of a track quickly gains momentum. as the driving bass accelerates, megaphonic vocals kick in to create a future classic by two of technos masters. ‘free yourself’ sees phil kieran and green velvet doing what they do best. phil laces straight bass with sci-fi sounds of hiss, plink and echo landing just on the right sideof weirdness. green velvet delivers lucid and soul searching lyrics in his signature hypnotic drawl

welcome return for this very sought-after rare electro 12 inch from tiny harlem label express records. big with the cosmic crowd as well as on the early hiphop scene, this is an extremely cool low-slung synth-heavy electro groover with a hypnotically smooth lead vocal, given a sharp percussive edge by the rattling congas and ticky-time chorus. written at a time in rap music history when the introduction of synthesizer technology created a wild flurry of creativity, this futuristic track by barry michael cooper (who went on to write the screenplays for movies new jack city and above the rim) was teletrons only ever release. film s gain was sadly musics loss as this was, and still is, a boundary-pushing, floor-filling monster. dont sleep!

ultraphat raw analogue techno monster !! decks tipp !!

deep bass, rocking 808 percussion and hypnotising stabs, are the ingredients for this tech-house monster.

foul & sunk, the swiss-german house-imprint based in freiburg and zurich, rings the bells for round 4 with the eriswil ep by jagged, a spunky release that blushes your cheeks like a strong sip of bernese apple brandy. and bern is the code word that sheds light on the origin of jagged: behind the name hide three veterans of the swiss house music scene - the djs and producers benfay, jay sanders and zukie173, who emerge from the vicinity of the now discontinued freestyle label a few among others, whose founder was zukie173. as jagged, they are releasing house music built upon hard-hitting drums, sinister bass lines and soul-drenched instrumentation for over four years by now. they debuted on quintessentials with hello kool nice in 2008, and didnt lose their gritty energy since then. now, theyre back on foul & sunk with eriswil, a deep rolling, dark monster that also gets a remix-treatment by the abstract eye

uk breakbeat legend clatterbox returns to trust with two killer hard-hitting electro tracks. the remixes are a real treat as well, coming from the elusive creepy autograph – for those who know – with a 6min electro-step-tech monster and pomelo records main man, dan lodig, recording under his lok44 guise.

a - side: i love my lady (the black bahia version) ashley reworks an unreleased collaboration between chic and lounge legend johnny mathis. what ?!!!! this has summer anthem written all over it. beedle waves his magic wand over this future classic beach groove to create a joyful sing-a-long. b - side: addis ababa (afrikanz on marz kosmik rework ) ashley and his musical partner darren morris add their trippy aom vibes to this rare studio one classic to create an afro/reggae/drone/psychedelic monster. it pulls you in and does not let you out. this is an essential rework for all the true heads out there.

versatile producer nikola gala gets set to release monster club track >only< on the prestigious rekids imprint. a cut of driving, razer sharp techno, the rib-rattling bass and detroit-esque synths will no doubt slay the most discerning dancefloors. throw in a ryan elliott remix and you have yourselves an essential package

limited to 200 copies white label. following the success of their co-production with toddla, trojan sound system return with another limited run of my god, this time featuring their own dancehall version and instrumental alongside the tropical drum and bass monster of toddlas. trojans sounds dancehall version was immediately licensed to clarks originals for their global campaign. supported by rob da bank, ashley beedle and mc wrec, this proper mash up meets dancehall...

any fan of drum & bass will know the name cyantific. having built a reputation as a leader of the new school d&b generation, jon stanley is now approaching a decade of releasing incredible music thats equally at home on the dance floor as it is on your ipod or in your car. last year saw cyantific unleash an incredible single for ram records, as well as bounce it / obey on his own self-titled cyantific record label. here we have the follow up to that release and its undoubtedly another exciting 12 inch, packed with plenty of cyantifics trademark energy. effortlessly combining sharp production skills with graceful musicality, you can always be assured that a new cyantific record is one to watch out for and this new single is certainly no exception. mirador takes the lead, opening with huge sweeping sound fx and a bouncing synth line that harks back to a classic ram sound. its not long before you notice cyantifics signatures though, as he brings in vocal snippets and washing pads that gradually build and grow before a monster bassline drops into the mix. this one undeniably straddles the line between restrained musical class and outright dance floor mayhem. on the flip side defect comes in at an infinitely more paranoid level. strings are infused with urgency and rolling breaks thunder along, dragging you kicking and screaming towards the inevitable drop. you wont be disappointed when it hits either, grinding bassline sections are juxtaposed with obsessive synths, all pulling you deeper into cyantifics musical world.

special request is a new, hand-stamped series dedicated to capturing the energy of uk pirate radio, while pushing the boundaries of modern dancefloor music. the first special request 12inch features two absolute monster tracks from a legendary uk producer that has got planet e, hot flush and phonica records all on his cv. the ep opens with the >warehouse mix < of >lolita<– a menacing, eight minute long techno-meets-bass stomper that kicks off stripped down drum pattern – claps, hi-hat and a rubbery kick drum – that slowly gives way to an insistent riff that drills itself into your head and categorically refuses to leave. on the flip >alone< is a completely different beast, complete with breakbeats a plenty

raw & dirty chicao house monster, late 80s spirit

the third remix single taken from azymuths acclaimed 2011 studio album >aurora< (faro157cd/lp) is >ta nessa ainda bicho<. following monster sold-out mixes on 12 inch of azymuths >in my treehouse< (ltj xperience - jd19) and meu mengo (mark e - jd 21) comes this highly limited heavyweight 12 inch from influential uk garage, break beat garage, broken beat and dubstep pioneer producer zed bias and the alias maddslinky. limited to 350 numbered copies, heavy-weight vinyl.

paskal & urban absolutes sind mit ihrer wunderbaren (slow) house-variation derzeit in aller munde. das duo aus berlin / essen mit aktuellen releases auf labels wie room with a view, prags visky recordings und foul & sunk präsentiert seine zweite ep auf farside records. als besonderes zusätzliches highlight ist farside stolz darauf, zwei großartige manuel tur mixes zu verkünden. der freerange / mild pitch künstler verwandelt limits in ein grandioses house monster. old school, new york city meets sound factory. dazu die tollen vocals von aniya ouu. boom!

stompin garage house monster

tip! savas pascalidis & joel alter strikes back on sweatshop with a huge, raw and dubby techno monster.

new 12 inch heat from dj spider and hakim murphy on plan b recordings called kaiju ep. inspired by the giant monster fights that were part of the saturday rotations of network tv in the 70s and 80s sparked the inspiration for this 6 track ep. four futuristic bangers accompanied with two ambient soundscape pieces that take you on a ride through murky beats and lush sound textures. super banging chicago-new york hybrid release for the new year!

youth invasion muzik launches their label with some down rite funk. yi muzik from the minds of a small club in ibiza? negru is a monster,at least thats what ciudovishte translates to. this ep is no different. monster techhouse missiles& rooted grooves with the yi muzik vibe. more to come.

analytic trail label boss markantonio teams up with rising star roberto capuano for a superb ep of driving techno featuring original tracks from both artists as well as two collaborative recordings and a pair of swapped remixes. markantonio has been at the forefront of italys techno scene since the late nineties, with his analytic trail imprint having been behind some outstanding music for the last decade. he is also no stranger to collaborations having worked up some classic cuts with the likes of davide squillace, rino cerrone & joseph capriati and its in this spirit of collaboration that markantonio embarks upon his next release, this time working alongside the hugely talents roberto capuano. capuano hails from naples in italy and has in the space of a few short years build an enviable reputation with a string of quality releases for the likes of minisketch, monique music and elegant bit records.this join release gives a real insight into the sound and style of both producers, featuring as it does two collaborative tracks, an original solo track from each and a swapped remix from both parties.the record kicks off with collaborative recording and title track melting process, a deep, dark and rolling slice of floorfilling techno that sets out to take no prisoners.this is closely followed by the second collaboration, the excellent t4 which journeys into twisted tech territory with rigid drum patterns and edgy stabs.next up with have markantonio the gap, a rolling monster of a track with pitch shifted riffs and an incessant bassline that keep things firing on all cyclinders. roberto capuano offers up his remix which picks up the intensity with some distorted drums and a menacing late night vibe. finally we have the original and markantonio remix of capuanos taken with the former taking things down a deep, hypnotic techno route and the latter picking up the toughness and delivering another winner.

analytic trail label boss markantonio teams up with rising star roberto capuano for a superb ep of driving techno featuring original tracks from both artists as well as two collaborative recordings and a pair of swapped remixes. markantonio has been at the forefront of italys techno scene since the late nineties, with his analytic trail imprint having been behind some outstanding music for the last decade. he is also no stranger to collaborations having worked up some classic cuts with the likes of davide squillace, rino cerrone & joseph capriati and its in this spirit of collaboration that markantonio embarks upon his next release, this time working alongside the hugely talents roberto capuano. capuano hails from naples in italy and has in the space of a few short years build an enviable reputation with a string of quality releases for the likes of minisketch, monique music and elegant bit records.this join release gives a real insight into the sound and style of both producers, featuring as it does two collaborative tracks, an original solo track from each and a swapped remix from both parties. the record kicks off with collaborative recording and title track melting process a deep, dark and rolling slice of floorfilling techno that sets out to take no prisoners. this is closely followed by the second collaboration, the excellent t4 which journeys into twisted tech territory with rigid drum patterns and edgy stabs.next up with have markantonio he gap, a rolling monster of a track with pitch shifted riffs and an incessant bassline that keep things firing on all cyclinders.roberto capuano offers up his remix which picks up the intensity with some distorted drums and a menacing late night vibe. finally we have the original and markantonio remix of capuanos taken with the former taking things down a deep, hypnotic techno route and the latter picking up the toughness and delivering another winner.

bill youngman has become one of the most important parts of the killekill family. his new record displays his wide range of interests: from dark techno in shadent he crosses over to drone monster alert in wespe to his very own style of melodic electro in centrumcircuit. about bill youngman: scandinavia, tresor, null etc., bill has from day one been producing a lot of excellent other stuff. for exam- ple, he released one album of the finest electronica on depth charge’s dc recordings under the alias audible, several great eps of electro on serotonin and recently remixed jamie lidell in a rather techy dubstep style for warp. bill doesnt follow trends and dislikes being categorized into one stale genre and so perfectly fits into the killekill master plan. expect several eps from him on killekill in the future. bill will furthermore attempt to push the threshold of modern electronic music production.

a1 – flufftronix featuring 215 the freshest kidz – bassface (kanji kinetic remix) – kanji kinetic works his magic on flufftronix, transforming the original track into a drumstep monster with his trademark mutant bass sound. previously released digitally on play me 2, tthis has been causing some serious damage.

part 2 of 2. elevation recordings was born in 2001 in a little city called galway, in the west of ireland - fathered by darran nugent aka aruba. over the last ten years the label has featured both homegrown and international talent with names like tigerskin, wareika, scope, kink, chris lattner, soul minority, gavin herlihy and snuff crew dropping by to make remixes. 2010 saw the vinyl side resurrected in the form of elevation limited and so far it has drafted in the talents of aldo cadiz, jakob seidensticker, tomika, einmusik, feygin and more. this 10 year album showcases the flavour of where the label is now with a hot selction of tracks from germanys snuff crew, aldo cadiz (chile), julian sanza (2020 vision) - who drops a dirty disco mutant monster called >elevation<, livio and roby (desolat), alejandro vivanco (cadenza), darran nugent and pavel lenchenko (mood music) and more. enjoy the party.

part 1 of 2. elevation recordings was born in 2001 in a little city called galway, in the west of ireland - fathered by darran nugent aka aruba. over the last ten years the label has featured both homegrown and international talent with names like tigerskin, wareika, scope, kink, chris lattner, soul minority, gavin herlihy and snuff crew dropping by to make remixes. 2010 saw the vinyl side resurrected in the form of elevation limited and so far it has drafted in the talents of aldo cadiz, jakob seidensticker, tomika, einmusik, feygin and more. this 10 year album showcases the flavour of where the label is now with a hot selction of tracks from germanys snuff crew, aldo cadiz (chile), julian sanza (2020 vision) - who drops a dirty disco mutant monster called >elevation<, livio and roby (desolat), alejandro vivanco (cadenza), darran nugent and pavel lenchenko (mood music) and more. enjoy the party.

it has been half a year since we released the last max cooper ep on traum, so his new finished ep comes in handy for all of his fans and people interested in the grey zone of techno vs. electronica. max coopers new release the >egomodal ep< comes as a 4 tracks ep and adds up to a great piece of music. once again it focuses on dynamics and tangents, along with the concept of complexity and simplicity. the >egomodal ep< stays true to max coopers approach to link a mathematical structure with a simple one. we are happy to say he has succeeded to fuse complexity with variations by still finding time to focus on details and keeping up that nice randomness which makes his music so appealing also for clubbers and djs.
this release is extremely diverse in styles and offers in its vinyl version everything from the dark detroit electro styled techno piece >epitaphy< that evokes old detroit days… to the melodically trembling >autumn haze< that is a huge track because its flow is superbly programmed ... to rippertons mighty house hymn of a remix, ending in the basseline monster >raw< which looses its teeth towards the end.

a symbiosis of two perfectionists who would like to surprise with something new and got lost in the deep widenesses of techno. now, zdenko grbavac and morgenklang let it come true and release their first record in common. the two tracks are technoid, impulsive and surprising at the same time. >epos< comes out on top at the middle distinctivly. the tracks baseline is remindful of the early 80s synth-pop and sounds in combination with the remaining parts like an unstoppable train. the track >novum< is a monster of chord and pushes relentlessly. however the athmosphere creates a certain easiness and moves the audience in a dreamy state.

super hypnotic groovin tech monster... incl rhadoo remix & beroshima remix... already support: maceo plex, raresh, troy pierce, alexi delano and so on..

ultraphat prime time uk techno , incl truncate remix. decks tip , without any doubt :: this one is a floor monster

the swizz house maestro who delivered last years miami monster likewise returns with a stunning two track 12 inch thats already been turning heads and sending many beards a scratching... dove is a beautiful piece of jazz house with afro roots and one hell of a groove. on the flip is >if u so< which will appeal to fans of cadenza.. hint hint ! disco tool house...or tip as they might say in berlin

ultimate french house / deep house monster from the glorious french house 90s

ltd picture disc edition ! a side is a groovy techhouse monster, flipside a modern dupstep hyprid sound...

nice price deal !!! hailing from perth, australia, this talented and prolific producer is no stranger to the music scene. following his first taste of an akai sampler to drop film samples on the intros of songs in his metal band, the dirty whittler, rregula eventually found himself drawn into the world of drum and bass and formed one half of bad robot in 2003, a monster collaboration with future technique and viper superstar, phetsta. with a number of releases on subsonik sound, black sun empire, and drumsound & bassline smiths popular technique recordings as bad robot, followed by solo projects on vampire records, dsci4, citrus recordings, icarus audio, climate recordings, and too many others to name, rregula has been scaling new heights with his output in the past year. having just released an album project in 2011 on trust in music entitled echoes from the future with dementia and collaborations from the likes of smooth, trei and optiv, one might think of calling it a year.. rregula is not one of those people. now set to unleash his highly anticipated debut lp on climate recordings, rregula presents: the barramundi experiment.an album extraordinaire, with over 30 tunes of deep and dirty rolling drum and bass, halftime and drumstep. the vinyl ep features 4 groundbreaking tracks of the album. the a-side holds 2 superb drum n bass tracks for the dancefloor, while on the flip you will find 2 massive bass tracks that will do equal damage on the dancefloor! the vinyl ep also includes the full doublepack cd in the sleeve!

massive stuff! early praise and support from: thomas schumacher, martin landsky, john tejada, jimpster, ben watt, anthony collins, varoslav and dave aju among others. deep, dank and dusty is the name of the game for bad animals second vinyl release. san franciscos safeword (marc smith and clint stewart) have been on a tear since forming last year in san francisco. right off the bat they ve hit a stride with releases on fine labels such as dessous, paso music and are currently remixing for the mighty mobilee. this, their debut ep on bad animal titled >west portal< weaves down more soulful yet dark avenues. deep vibes, smooth synths and silky vocals are perfectly accompanied by heavy, churning rhythms and tasteful reflections of acid house. the legendary smash tv lend their expertise to round off the ep with an acid house monster of a party jam. while still retaining the dusty soul of the original material, the berlin-based duo has brought their >midas touch< to bad animal with this golden rework.

oliver klein is back again! after his fabulous album release in 2011 he teamed up again with his mate kolombo to present you some new tunes. with party party they present a stunning minimalistic techno banger that we loved from the first second! the remixes are done by 2 of the hottest youngster in he scene. harvey mckay and fabian argomedo. harvey is responsible for the techno site, the most people already should know him for his great releases on drumcode, soma, saved and more. his remix is a true techno monster made for the prime time. his sound is very charismatic and thats what we really like! fabian is a really nice guy, very down to earth and absolutely focused on his music! the man from chile turned the original into a techhouse smasher! he produced a hypnotic beat, bass, groove and combined them with the fantastic vocal snippets. mr. argomedo has also just released a stunning remixed for fatboy slim & riva starr and had massive releases on label like snatch, takt records, monique musique and many more.

grinch presents a collection of deep productions with dark, spaced-out tone, for his first solo ep. the title track sets the mood with a minimal, devilish bouncing shimmer, that grows into a subby monster in no time. the vibe changes with pulling teeth dropping us into a spacious ambience, with ghost tones of varying frequencies. on the flip, genjutsu, a heart pumping rhythm with knife edge minimal percussion. the final tune, 1:45am is reminiscent of a dark sci-fi nightmare scene and followed by waking up in a terrifying, cold sweat. together the tracks teeter along the lines of techno with dubstep influences.